Much of my work re-examines purpose and function as it relates to constituent pieces, space, and interpretation. The main artistic concerns that surround my practice focus on the physical immediacy between artist, material, and the labour of making. A variety of conventional roles are challenged, including the function of materials themselves as well as the masculine aesthetic my work exhibits, given that I am a female artist. My primary focus is to investigate the interstice between sculpture and furniture, combining fine art practice (particularly drawing) with design functionality.
My work has a common thematic approach, juxtaposing opposites such as permanence and flexibility, form versus function, conventional use of materials versus the unconventional use thereof. I also seek to highlight design within a fine art context, foregrounding human procession and contrasting potentiality versus the residue of human action. In doing so, I incorporate methodologies from architectural and design theory as well as experiment with a variety of materials, removing them from their typical contexts. Also, I incorporate etymology, semantic variation, and cultural meaning-making as it informs my overall thematic approach.